Starting the Year in a Groovy Kind of Wow.

Posted: February 19, 2017 in New Indie Music
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of Montreal

Rune Husk

Polyvinyl Records, 2017of-montreal-rune-husk-cover

Review by Kent Manthie

Kevin Barnes and company, hard at work as per custom, has just put out something new since they’re most recent output, Innocence Reaches last year. The new product’s an EP, entitled Rune Husk, a four-song sampler of what’s happening with of Montreal, pride of Athens, GA.

Rune Husk is a bit more subdued than is expected from an of Montreal disc, but, the songwriting, as usual, has the same charming, urbane wit fans of the band have come to expect. Think of it as a mellower, mature smattering of psych-pop with a dreamy, orange swirl gyrating around the middle.

The album begins with the low-key “Internecine Larks”, which will pull you in out of curiosity. “Stag to the Table” kicks it up a notch and for the second half of the EP, “Widowsucking” suddenly harkens back to the reason you like these guys in the first place. Definitely the highlight of Rune Husk, “Widowsucking” has a delectable taste you can’t get enough of.

Another thing about Rune Husk is the placement of the guitar licks in a bigger, more accentuated place. It fits in nicely with the rest of the musical electronica that envelops much of their music. Along with the same creative, sharp lyrical wit Kevin’s honed over the years; his skills haven’t yet begun to wane; the genius of it all fits so well with the underlying music; music that compels you to bob your head back and forth or tap your feet to the pulsating, disco-pop groove and it’s in “Widowsucking” that the music reverts back to a more sublime, surreal, psychedelic-club-power-pop, with clever lyrics and music, wedded together in a blissful union. The EP’s closer, “Island Life” is a great follow-up, yet it manages to unify the softer “Internecine Larks” with of Montreal’s signature sound quite gracefully.

I’m hoping to be back reviewing a new, full length of Montreal disc in the near future. What will be next? That’s always an interesting thing to think of, when mulling over the state of typical nauseating corporate pop slop so ubiquitous these days. But thank goodness for the whole indie network of small labels, DIY-ers and those who spurn the rheumy caterwauling one can’t get away from on the radio. Without outlets such as Polyvinyl, Jade Tree or Castle Face Music, to name just a few, it would be a lot harder to get in touch with the cream of the crop. Popular opinion be damned! –KM.

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