Brandt Brauer Frick
Because Music, 2016
Review by Kent Manthie
I’m quite happy that I’ve been exposed to Brandt Brauer Frick, a trio of European musicians, whose disparate musical backgrounds, or, at least, the dichotomy between Daniel Brandt and Jan Brauer on the one hand, who come from a club music atmosphere, e.g., house, techno, EDM, and the like, on the one hand, and Paul Frick, on the other, who comes at this from a different musical background. The talented Frick brings to this – trio a classically-minded background. One rooted in the firmament of beautiful melodies, gracious harmonies and that wonderful, musical ear, one thing that is innate and, though it doesn’t – nor has it! – stop millions from getting into the music-making biz, so to speak.
Anyway, Frick trained for some time, at the Universitat der Kunste, in Berlin. There, Frick studied, amongst other important matters, classical and modern composition. Before joining up with Daniel and Jan, Paul has been making music in diverse corners: besides his several grand, experimental pieces for a variety of orchestral instruments, Frick has also recorded and released a few EPs of house music.
Daniel Brandt and Jan Brauer, on the other hand, come from a looser, more jazz-oriented school of music.
These sorts of trios with members that come from disparate (but not at odds with anything) musical backgrounds are a great breeding ground for the kind of music Brandt, Brauer and Frick play.
Also, for those of you who may think that, for the most part, modern music is dead, just remember that the type of person who would say something like that is someone who, obviously, doesn’t follow or at least pay some attention to the always innovative, creative melting pots for varieties of influences which come out of the whole process as a finished product; one which, despite their influences, any outright hagiographic to the point of almost being plagiaristic, won’t show up here. With deft skill and determination, the music comes out sounding as if there’s no precedent for it, which means that they’ve managed to concoct a heady brew of their own, one with a pleasant aftertaste, as well.
I’d think that an album such as this would attract listeners who’ve spent much time grooving with Krautrock, e.g., Neu!, Faust, Kraftwerk and Can, to name a few; maybe fans of Henry Cow and/or Fred Frith.
But, I don’t want to fill your heads with anything that could prejudice one towards or against Joy. I’d rather lay out some bare sketches of the sound and maybe a little bio info, but I don’t want to tell anyone that this is going to sound like XYZ or ABC…that could potentially turn off a segment of people and could possibly attract others, and those who think they’d be turned off by Joy might miss out on something so fabulous that, while eventually they’ll get it, if they aren’t pushed away by unnecessary comparisons, all the better, that way one can judge Brandt Brauer Frick strictly on the merits, at least for 98-99% of what they are or might be trying to do.
Anyway, whatever you do, give Joy a listen and get yourself a copy! -KM.